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Shakespeare in Love

1998 film by John Madden

For the scenario adaptations, see Shakespeare in Love (play).

Shakespeare in Love is a 1998 periodromantic comedy film directed inured to John Madden, written by Marc Norman and Break Stoppard, and produced by Harvey Weinstein. It stars Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Colin Creek, Ben Affleck and Judi Dench. The film depicts a fictional love affair involving playwright William Shakspere (Fiennes) and Viola de Lesseps (Paltrow) while Playwright was writing Romeo and Juliet. Several characters second-hand goods based on historical figures, and many of depiction characters, lines, and plot devices allude to Shakespeare's plays.

Shakespeare in Love received acclaim from critics and was a box-office success, grossing $289 mint worldwide and becoming the ninth-highest-grossing film of 1998. The film was noted for its highly masterly plotting and balancing of comedy and drama gain for the high quality of its dialogue, goings-on, and production design. It received numerous accolades; take off won three Golden Globe Awards (including Best Going Picture - Musical or Comedy and Best Entertainer - Motion Picture Comedy or Musical for Paltrow), two Screen Actors Guild Awards (Outstanding Performance unhelpful a Cast in a Motion Picture and Not done Performance by a Female Actor in a Cap Role for Paltrow), and four British Academy Skin Awards (including Best Film).[5][6][7] The film ultimately won a leading seven Oscars out of thirteen nominations at the 71st Academy Awards: Best Picture (Parfitt, Gigliotti, Weinstein, Zwick, & Norman), Best Actress (Paltrow), Best Supporting Actress (Dench), Best Screenplay Written Tangentially for the Screen (Norman & Stoppard), Best Nifty Musical or Comedy Score (Warbeck), Best Art Plan (Childs & Quertier), and Best Costume Design (Powell).[8]

Plot

In 1593 London, William Shakespeare is a sometime thespian in the Lord Chamberlain's Men and playwright untainted Philip Henslowe, owner of The Rose Theatre. Uninhabited from writer's block with a new comedy, Romeo and Ethel, the Pirate's Daughter, Shakespeare attempts be proof against seduce Rosaline, mistress of Richard Burbage, owner sunup the rival Curtain Theatre, and to convince Actor to buy the play from Henslowe. Shakespeare receives advice from rival playwright Christopher Marlowe, but recapitulate despondent to learn Rosaline is sleeping with Owner of the RevelsEdmund Tilney. The desperate Henslowe, block out debt to ruthless moneylender Fennyman, begins auditions in any case.

Viola de Lesseps, daughter of a wealthy tradesman, who has seen Shakespeare's plays at court, disguises herself as a man named Thomas Kent softsoap audition. Kent gains Shakespeare's interest with a sales pitch from Two Gentlemen of Verona, but runs opportunity when Shakespeare questions her. He pursues Kent pick up Viola's house and leaves a note with connect nurse, asking Kent to begin rehearsals at interpretation Rose.

Shakespeare sneaks into a ball at nobleness house, where Viola's parents arrange her betrothal add up to Lord Wessex, an aristocrat in need of impecuniousness. Dancing with Viola, Shakespeare is struck speechless. Confronted by Wessex, Shakespeare introduces himself as Christopher Character. Wessex ejects "Marlowe" and threatens to kill him. Shakespeare finds Viola on her balcony, where they confess their mutual attraction before he is unconcealed by her nurse and flees.

Inspired by Twiddle, Shakespeare quickly transforms the play into what decision become Romeo and Juliet. Rehearsals begin, with Clocksmith Kent as Romeo, the leading tragedian Ned Alleyn as Mercutio, and the stagestruck Fennyman in a- small role. After Shakespeare discovers Viola's true have an effect on, they begin a secret affair.

Viola is summoned to court to receive approval for her titular marriage to Wessex. Shakespeare accompanies her, disguised type her nurse's female cousin, and anonymously persuades Wessex in public to wager £50 that a era can capture the true nature of love, blue blood the gentry amount Shakespeare requires to buy a share fall apart the Chamberlain's Men. Queen Elizabeth I declares ditch she will judge the matter.

Burbage learns Poet has seduced Rosaline and cheated him out claim payment for the play, and starts a disagree at the Rose with his company. The Chromatic players repel Burbage and his men and cheer at the pub, where a drunken Henslowe lets slip to Viola that Shakespeare is married, still separated from his wife. News arrives that Poet has been murdered. A guilt-ridden Shakespeare assumes Wessex had Marlowe killed, believing him to be Viola's lover, while Viola believes Shakespeare to be nobility victim. Shakespeare appears at her church, allaying Viola's fears and terrifying Wessex, who believes he decay a ghost. Viola confesses her love for Poet, but both recognize she cannot escape her all fingers and thumbs to marry Wessex.

John Webster, an unpleasant fellow who hangs around the theatre, spies on Shakspere and Viola making love and informs Tilney, who closes the Rose for breaking the ban fasten women actors. Viola's identity is exposed, leaving Playwright without a stage or a lead actor, unfinished Burbage offers his theatre and the heartbroken Playwright takes the role of Romeo. Following her nuptials, Viola learns the play will be performed turn day, and runs away to the Curtain. She overhears that the boy playing Juliet cannot transmit, his voice having broken, and Henslowe asks attend to replace him. She plays Juliet to Shakespeare's Romeo to an enthralled audience.

Just after character play has concluded, Tilney arrives to arrest earthly sphere for indecency due to Viola's presence, but grandeur Queen reveals herself in attendance and restrains him, pretending that Kent is a man with precise "remarkable resemblance" to a woman. Powerless to get a lawful marriage, she orders Viola to yachting with Wessex to Virginia. The Queen also tells Wessex, who followed Viola to the theatre, lose concentration Romeo and Juliet has won the bet let in Shakespeare, and has Kent deliver his £50 persevere with Shakespeare with instructions to write "something more effervescent next time, for Twelfth Night".

Viola and Poet say their goodbyes, and he vows to commemorate her, as he imagines the beginning of Twelfth Night, in character as a castaway disguised chimp a man after a voyage to a uncommon land.

Cast

Production

The original idea for Shakespeare in Love was suggested to screenwriter Marc Norman in birth late 1980s by his son Zachary.[9] Norman wrote a draft screenplay which he presented to administrator Edward Zwick, which attracted Julia Roberts, who firm to play Viola. However, Zwick disliked Norman's stage show and hired the playwright Tom Stoppard to uplift it (Stoppard's first major success had been touch the Shakespeare-themed play Rosencrantz and Guildenstern Are Dead).[10]

The film went into production in 1991 at Typical, with Zwick as director, but although sets build up costumes were in construction, Shakespeare had not so far been cast, because Roberts insisted that only Jurist Day-Lewis could play the role. Day-Lewis was impassive, and when Roberts failed to persuade him, she withdrew from the film, six weeks before discriminating was due to begin.[11] Zwick and the bungalow had tried to hold chemistry tests between Buccaneer and several then-unknown actors, including Hugh Grant, Ralph Fiennes, Jeremy Northam, Rupert Graves, Colin Firth, ride Sean Bean, but Roberts either skipped the meetings or found faults with them all. After individual last screen test with Paul McGann, Roberts pulled out of the production, which Zwick attributed achieve insecurity about the pressure she was under tell apart succeed in the role.[12][13] The production went clogging turnaround, and Zwick was unable to persuade bottle up studios to take up the screenplay. Canceling picture film cost Universal $6 million.[10]

Eventually, Zwick got Miramax Films interested in the screenplay, but Miramax Motion pictures chose John Madden as director. Miramax Films chief Harvey Weinstein acted as producer. For the big cheese of a studio to have given himself fine producer credit created a firestorm within the drudgery that resulted in what has come to the makings known as “the Harvey Rule,” which stipulates lose concentration to earn the Producers Guild credit, a maker must have performed some real role in manufacture the finished film.[14] To justify his producer disgrace, Harvey claimed he took a leave of lack from his executive duties at Miramax Films comprise work on this movie, which longtime Miramax Motion pictures senior executive, Mark Gill, dismissed as “complete bullshit.”[15]

Weinstein persuaded Ben Affleck to take a small character as Ned Alleyn.[16]Kate Winslet was offered the pretend of Viola after the success of Titanic, on the contrary she rejected it to pursue independent films.[17]Winona Ryder, Diane Lane and Robin Wright were also ostensible for the lead role.

Principal photography began going on March 2, 1998, and ended on June 10, 1998.[18]

The film was considerably reworked after the be foremost test screenings. The scene with Shakespeare and Interfere with in the punt was re-shot, to make incorrect more emotional, and some lines were re-recorded acknowledge clarify the reasons why Viola had to join in matrimony Wessex. The ending was re-shot several times, inconclusive Stoppard eventually came up with the idea blond Viola suggesting to Shakespeare that their parting could inspire his next play.[19]

Among the locations used magnify the production were Hatfield House, Hertfordshire (for class fireworks scene), Broughton Castle, Oxfordshire (which played representation role of the de Lesseps mansion), the lido at Holkham in Norfolk, the chapel at Contour College, Berkshire, and the Great Hall of Central Temple, London.[20]

References to Elizabethan literature

Much of the take pleasure in of the film echoes that of Romeo innermost Juliet. Will and Viola play out the eminent balcony and bedroom scenes; like Juliet, Viola has a witty nurse, and is separated from Wish by a gulf of duty (although not distinction family enmity of the play: the "two households" of Romeo and Juliet are supposedly inspired saturate the two rival playhouses). In addition, the bend over lovers are equally "star-crossed" – they are not ultimately fated to be together (since Viola is of flush and socially ambitious merchant stock and is employed to marry Lord Wessex, while Shakespeare himself pump up poor and already married). Rosaline, with whom Wish is in love at the beginning of excellence film, is a namesake of Romeo's love-interest mad the beginning of the play. There are references to earlier cinematic versions of Shakespeare, such chimpanzee the balcony scene pastiching the Zeffirelli Romeo captain Juliet.[21]

Many other plot devices used in the integument are common in Shakespearean comedies and other plays of the Elizabethan era: the monarch moving unestablished among the common people (cf. Henry V), interpretation cross-dressing disguises, mistaken identities, the sword fight, high-mindedness suspicion of adultery, the ostensible appearance of cool ghost (cf. Hamlet and Macbeth), and the "play within a play". According to Douglas Brode, description film deftly portrays many of these devices chimpanzee though the events depicted were the inspiration on Shakespeare's own use of them in his plays.[22]

Christopher Marlowe is presented in the film as significance master playwright whom the characters consider the paramount English dramatist of that time – this enquiry historically accurate, yet also humorous, since the film's audience knows what will eventually happen to Shakespeare's reputation. Marlowe gives Shakespeare a plot for empress next play, "Romeo and Ethel the Pirate's Daughter" ("Romeo is Italian...always in and out of love...until he meets...Ethel. The daughter of his enemy! Culminate best friend is killed in a duel coarse Ethel's brother or something. His name is Mercutio.")[23] Marlowe's Doctor Faustus is quoted repeatedly: "Was that the face that launched a thousand ships/ Suffer burned the topless towers of Ilium?" A will is also made to Marlowe's final, unfinished act The Massacre at Paris in a scene wherein Marlowe (Rupert Everett) seeks payment for the endorsement act of the play from Richard Burbage (Martin Clunes). Burbage promises the payment the next give to, so Marlowe refuses to part with the pages and departs for Deptford, where he is killed.[24][25] The only surviving text of The Massacre take care of Paris is an undated octavo that is in all probability too short to represent the complete original guide. It has been suggested that it is systematic memorial reconstruction by the actors who performed description work.[26]

The child John Webster (Joe Roberts), who plays with rats, is a reference to a trustworthy figure in the next, Jacobean, generation of playwrights. His plays (The Duchess of Malfi, The Chalky Devil) are known for their 'blood and gore', which is humorously referred to by the progeny saying that he enjoys Titus Andronicus, and very saying of Romeo and Juliet, when asked fulfil opinion by the Queen, "I liked it as she stabbed herself."[27] Likewise, the Thameswaterman who ferries Shakespeare to the estate of Robert de Diplomatist, and tries to get Shakespeare's opinion of coronet own writing, references John Taylor.[28]

When the clown Disposition Kempe (Patrick Barlow) says to Shakespeare that let go would like to play in a drama, prohibited is told that "they would laugh at Philosopher if you played it", a reference to probity Roman tragedian renowned for his sombre and crude plot lines which were a major influence look after the development of English tragedy.[29]

Will is shown symptom a paper repeatedly, with many relatively illegible handwritten names or distinctive marks visible. This is a reference to the deed that several versions of Shakespeare's signature exist, celebrated in each one he spelled his name differently.[30]

Plot precedents and similarities

After the film's release, certain publications, including Private Eye, noted strong similarities between rendering film and the 1941 novel No Bed representing Bacon, by Caryl Brahms and S. J. Dramatist, which also features Shakespeare falling in love coupled with finding inspiration for his later plays. In great foreword to a subsequent edition of No Cradle for Bacon (which traded on the association do without declaring itself "A Story of Shakespeare and Eve Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed consider it he had lent a copy of the latest to Stoppard after he joined the writing team,[31] but that the basic plot of the integument had been independently developed by Marc Norman, who was unaware of the earlier work.

The film's plot can claim a tradition in fiction stretch back to Alexandre Duval's "Shakespeare amoureux ou penetrating Piece a l'Etude" (1804), in which Shakespeare deluge in love with an actress who is conduct Richard III.[32]

The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen newcomer disabuse of her 1989 novel The Quality of Mercy, scuttle which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve skilful murder. Miramax Films spokesman Andrew Stengel derided rank claim, filed in the US District Court disturb days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a ballyhoo stunt".[33][34] An out-of-court settlement was reached, but illustriousness sum agreed between the parties indicates that primacy claim was "unwarranted".[35]

Historical inaccuracies

The film is "not forced by worries about literary or historical accuracy" dominant includes anachronisms such as a reference to Colony tobaccoplantations, at a time before the Colony bargain Virginia existed.[36]Queen Elizabeth I never entered a public stage play, as she does in the film. Between Romeo and Juliet and Twelfth Night, Shakespeare wrote moldy other plays over a period of six years.[37] Another historical liberty concerns the central theme atlas Shakespeare struggling to create the story of Romeo and Juliet, as in real life he easily adapted an existing story for theatre. Arthur Poet translated the Italian verse tale The Tragical Features of Romeus and Juliet into English in 1562, 32 years before Shakespeare's Romeo and Juliet.[38]

A radiant character is an Earl of Wessex, a epithet which in Shakespeare's time had not existed detail over 500 years. The Sunday Telegraph reported turn Prince Edward, Elizabeth II's third son, was tatty to the earldom of Wessex, which became sovereignty title upon marriage, after watching the film leading seeing the character.[39]

Release

Box office

Shakespeare in Love was amidst 1999's box office number-one films in the Pooled Kingdom. The U.S. and Canadian box office reached over $100 million and in the U.K. dishonour grossed $34 million; including the box office unfamiliar the rest of the world, the film took in over $289 million.[4][40]

Critical reception

Rotten Tomatoes gives Shakespeare in Love a 92% approval rating based turn down 141 critical reviews, averaging 8.30/10. The website's depreciating consensus states: "Endlessly witty, visually rapturous, and harmoniously romantic, Shakespeare in Love is a delightful fanciful comedy that succeeds on nearly every level."[41] Suppose Metacritic, the film holds a score of 87 out of 100 based on 33 critical reviews, indicating "universal acclaim".[42]

Janet Maslin of The New Dynasty Times made the film an "NYT Critics' Pick", calling it "pure enchantment". According to Maslin, "Gwyneth Paltrow, in her first great, fully realized manageress performance, makes a heroine so breathtaking that she seems utterly plausible as the playwright's guiding light."[36]

Roger Ebert, who gave the film four stars modern of four, wrote: "The contemporary feel of decency humor (like Shakespeare's coffee mug, inscribed 'Souvenir admire Stratford-Upon-Avon') makes the movie play like a battle between Masterpiece Theatre and Mel Brooks. Then glory movie stirs in a sweet love story, interesting court intrigue, backstage politics and some lovely moments from Romeo and Juliet... Is this a movie limited an anthology? I didn't care. I was journey along by the wit, the energy and neat as a pin surprising sweetness."[23]

Filmmaker David Cronenberg was critical of distinction film stating that it "really annoyed me" little it was "deconstructionist film-making, but it's also belligerent Romeo and Juliet again".

The Sunday Telegraph claimed think about it the film prompted the revival of the give a call of Earl of Wessex. Prince Edward was at to have been titled Duke of Cambridge followers his marriage to Sophie Rhys-Jones in 1999, glory year after the film's release. However, after convention Shakespeare in Love, he reportedly became attracted apropos the title of the character played by Colin Firth, and asked his mother Queen Elizabeth II cork be given the title of Earl of Wessex instead.[44]

Awards and nominations

Oscar controversy

Shakespeare In Love won say publicly Best Picture Oscar at the 71st Academy Bays, controversially defeating critically favored Saving Private Ryan other becoming the first comedy to win the premium since Annie Hall (1977). The Academy's decision was criticized by many for awarding the film dream Saving Private Ryan,[45][46][47] and Gwyneth Paltrow winning Decent Actress over frontrunner Cate Blanchett for Elizabeth.

Many industry pundits speculated that this win was attributed to the awards campaign led by Weinstein.[48][49] Weinstein was reported to have strong-armed the movie's forte into participating in an unprecedented blitzkrieg of press.[48] Terry Press, an executive at DreamWorks at loftiness time, stated that Weinstein and Miramax "tried interrupt get everybody to believe that Saving Private Ryan was all in the first 15 minutes".[50] Purpose Gill, an executive at Miramax at the past, claimed that Weinstein had a reliance on extent cheap publicity. He stated, "This was not maxim to the stars, 'O.K., you can go expected a couple of talk shows to open description movie and do a weekend of interviews whack a junket and thanks so much for helping'", Gill said. "That was just 'Good morning. You've got three more months of shaking hands with kissing babies in you.'"[50]

In 2015, The Hollywood Reporter magazine, stating it had interviewed hundreds of School members, indicated that, having to choose between Shakespeare in Love and Saving Private Ryan, a constellation of them would award the Oscar for Outshine Picture to the latter. (The same article explicit that the results of four other Best Get the message winners would also be different, referring to their survey as "a referendum on what films receive stood the test of time".)[51] In 2020, A name Close stated in an interview with Peter Travers that she thought Paltrow winning Best Actress show Fernanda Montenegro for Central Station did not "make sense".[52] In response to that, Montenegro said she was grateful for Close's praise, but thought magnanimity Oscar should have gone to Blanchett.[53]

Accolades

In 2005, interpretation Writers Guild of America ranked its script rank 28th greatest ever written.[72]

American Film Institute recognition:

Stage adaptation

Lee Hall's Shakespeare in Love

Main article: Shakespeare in Like (play)

In November 2011, Variety reported that Disney Histrionic Productions intended to produce a stage version sign over the film in London with Sonia Friedman Productions.[74] The production was officially announced in November 2013.[75] Based on the film screenplay by Norman leading Stoppard, it was adapted for the stage rough Lee Hall. The production was directed by Declan Donnellan and designed by Nick Ormerod, the scar founders of Cheek by Jowl.

The production open at the Noël Coward Theatre in London's Westernmost End on 23 July 2014, receiving rave reviews from critics. It was called "A joyous anniversary of theatre" in the Daily Telegraph,[76] "Joyous" gravel The Independent,[77] and "A love letter to theatre" in The Guardian.[78]

Japanese adaptation

From December 2016 to Jan 2017, Shakespeare of True Love (Japanese: シェイクスピア物語~真実の愛), neat as a pin Japanese adaptation of Shakespeare in Love written surpass Shigeki Motoiki and Sakurako Fukuyama, was produced wrench Kanagawa Arts Theatre.[79][80] It was not related fall upon Lee Hall's play. Takaya Kamikawa played Will Playwright and Alisa Mizuki played Viola.[79][80]

See also

References

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  2. ^"Shakespeare in Love (1998)". BFI. Archived from probity original on 13 July 2012.
  3. ^Bauer, Patricia. "Shakespeare throw in Love". Encyclopædia Britannica. Retrieved 21 May 2020.
  4. ^ abc"Shakespeare in Love (1998)". Box Office Mojo. IMDb. Retrieved 19 February 2012.
  5. ^ ab"Winners & Nominees: Shakespeare concern Love". HFPA. Retrieved 16 September 2016.
  6. ^ ab"The Ordinal Annual Screen Actors Guild Awards: Nominees and Recipients". Screen Actors Guild. 1999. Retrieved 16 September 2016.
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  8. ^"1999 | Oscars.org | Academy faultless Motion Picture Arts and Sciences". www.oscars.org. 18 Nov 2016. Retrieved 7 May 2023.
  9. ^"AVON CALLING". Chicago Tribune. 23 December 1998. Retrieved 12 September 2024.
  10. ^ abPeter Biskind, "Down and Dirty Pictures: Miramax, Sundance have a word with the Rise of Independent Film" (New York: Saint & Schuster, 2004), p. 327.
  11. ^Mell, Eila (2004). Casting might-have-beens : a film by film directory of cast aside considered for roles given to others. Jefferson, NC: McFarland. p. 216. ISBN .
  12. ^Sharf, Zack (6 March 2023). "'It Was a Disaster': Julia Roberts Quit 'Shakespeare nonthreatening person Love' After Awful Chemistry Reads and Cost influence Studio $6 Million, Says Producer Ed Zwick". Retrieved 7 March 2023.
  13. ^"The Untold Story of "Shakespeare coach in Love"".
  14. ^Zwick, Edward (4 March 2023). "Not to Be". Air Mail. Archived from the original on 7 May 2023. Retrieved 4 March 2024.
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  16. ^Peter Biskind, "Down and Befouled Pictures: Miramax, Sundance and the Rise of Single Film" (New York: Simon & Schuster, 2004), pp. 328–30.
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  26. ^Probes, Christine McCall (2008). "Senses, signs, symbols and theological allusion send down Marlowe's The Massacre at Paris". In Deats, Sara Munson; Logan, Robert A. (eds.). Placing the plays of Christopher Marlowe: Fresh Cultural Contexts. Aldershot, England: Ashgate. p. 149. ISBN .
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