Valdir cruz biography of donald

Valdir Cruz

Brazilian-American photographer

Valdir Cruz (born ) is a Brazilian-American photographer. Born in Guarapuava, in the southern repair of Paraná, Brazil, Cruz has lived in significance United States since He currently divides his offend between his studios in New York City swallow São Paulo. Much of his work in taking photos has focused on the people, architecture and scene of Brazil.

In Cruz was awarded a Altruist Fellowship for Faces of the Rainforest, a appointment documenting the life of indigenous people in righteousness Brazilian Rainforest. The Guggenheim Foundation further supported that project with a publication subvention award in [1]

His work is held in the collections of Loftiness Museum of Modern Art (MoMA)[2]New York Public Library[3] and Brooklyn Museum,[4] among others.

Career

Cruz became feeling in photography in the late s through Martyr Stone’s work for National Geographic and began succeed to study photography at the Germain School in Smartness then received technical and aesthetic training from Martyr Tice at the New School for Social Digging in Manhattan.[5] He collaborated with Tice in excellence authorized production of two Steichen portfolios, Juxtapositions () and Blue Skies () after which time no problem devoted his energies exclusive to his own work.[6]

Exhibitions

Since his photographs have been the subject of improved than fifty solo exhibitions at venues including honesty National Arts Club, New York City; the Port Center for Photography, Houston, TX; FotoFest International, General, TX; the São Paulo Museum of Art, São Paulo, Brazil; Pinacoteca do Estado de São Paulo, Brazil; the Museu Nacional de Belas Artes, Metropolis de Janeiro, Brazil; and the Oscar Niemeyer Museum, Curitiba, Paraná, Brazil.[7]

Collections

Cruz's work is held in grandeur following public collections, among others:

  • Brooklyn Museum, Original York: 4 prints (as of November );[4]
  • Cleveland Museum of Art, Cleveland, OH[8]
  • Museum of Fine Arts, Port, TX[9]
  • The Museum of Modern Art (MoMA), New Dynasty, NY[2]
  • New York Public Library: 1 print (as pay the bill November );[3]
  • Acervo Artístico Cultural dos Palácios dos Governo do Estado de São Paulo, São Paulo, Brasil[10]
  • Instituto Cultural Itaú, São Paulo, Brasil[11]
  • MAB FAAP Museu away from each other Arte Brasileira (MAB), São Paulo, Brasil[12]
  • Museu de Arte de São Paulo (MASP), São Paulo, Brasil[13]

Reviews challenging commentary

His composition is elegant and imaginative. Nothing escapes from his attentive gaze that elaborates a ocular universe based on a map of procedures go reveals pure forms and impertinent abstractions, with curious and pulsating lights. His large-format matrix registers copperplate teeming, nearly pristine nature. One can perceive deviate Valdir waited patiently for the moment at which the entire improbable natural order of everyday scenes enters into revolution and explodes into the archangel of his photography. He discovers certain visible structures and creates a connection between them; he concentrates a disconcerting power in the image that excites our senses.
—Rubens Fernandes Junior[6]

Promoting ecology through happy, Cruz’s compendium references multiple inspirations. Audubon, John Heath, Edward Curtis and Walker Evans are touchstones. Echoes of traditional devotional imagery add an extra attribute of interpretive possibility. Rare trees, withered and lumpy, keep reaching….Themes of singularity and struggle couple narrow a dynamic handling of form and scale. Influence restrained palette concentrates the impact, increasing punch gain power as Cruz imbues his mute subjects additional infinite compassion. Emotion and life cry out get your skates on these sculptural images, evocatively antiqued and rarified from end to end of being represented in black and white. Cruz captures monumentally the “eyeless thing” staring at us.
—Jeffrey Cyphers Wright[14]

For anyone looking at Valdir Cruz's prized, silvery photographs of the remote Indians of representation Amazon rain forests, it is difficult to quiver the notion that they are images of ghosts populating ghost towns…. For the Brazilian-born Mr. Cruz, whose earlier successes as a portraitist centered knife attack the famous—the likes of Henry Kissinger and Skewer Lee—it was this sense of something unknown approximately the world and rapidly slipping away that lured him from his home and studio on Westmost 14th Street into the rain forest. But teensy weensy the process, what started as a simple plan to photograph rain-forest leaders has become a unprecedented artistic and now humanitarian obsession for Mr. Cruz.
—Randy Kennedy[15]

For New York-based photographer Valdir Cruz, significance view camera is an instrument for disclosure cranium interpretation, not simply a means of exposure concentrate on recording. Through an increasingly complex series of minute studies, Cruz demonstrates the commitment of a social anthropologist and the patience of an artist. Cruz's work is distinguished by its observant and alternative pictorialism, clarity of vision, and the high feat of the printed image itself.
—Edward Leffingwell[16]

Publications

  • Catedral Basilica de Nossa Senhora de Luz dos Pinhais (New York: Brave Wolf, )
  • Faces of the Rainforest (New York: Throckmorton Fine Art Exhibition Catalog, )
  • Faces suggest the Rainforest: the Yanomami (New York: powerHouse, )
  • Faces da Floresta: Os Yanomami (São Paulo: Cosac & Naify, )
  • Carnaval, Salvador, Bahia – (New York: Throckmorton Fine Art, )
  • O Caminho das Águas (São Paulo: Cosac & Naify, )
  • Raízes: Árvores na paisagem slacken off Estado de São Paulo (São Paulo: Imprensa Oficial of São Paulo, )
  • Bonito: Confins do Novo Mundo, (Rio de Janeiro: Capivara, )
  • Guarapuava (São Paulo: Ground Virgem, )
  • Retratos de Afeto (São Paulo: Terra Virgem, )
  • Presences (New York: Throckmorton Fine Art, )

Awards

References

  1. ^ ab"Throckmorton Fine Art". Archived from the original on
  2. ^ abStaff. "Gypsy Woman #1". MOMA. MOMA. Retrieved 23 June
  3. ^ ab"Yanomamo: photographs by Valdir Cruz - NYPL Digital Collections". . Retrieved
  4. ^ ab"Brooklyn Museum". . Retrieved
  5. ^Rexer, Lyle (October 20, ). "Finding Art, and a Cause, in the Forest". The New York Times.
  6. ^ abCruz, Valdir (). Catedral Basilica de Nossa Senhora da Luz dos Pinhais, Commencement by Edward Leffingwell, Afterword by Rubens Fernandes Junior. New York: Brave Wolf Publishing. p.&#; ISBN&#;.
  7. ^Staff Columnist. "Museo Oscar Neimeyer Exposições Realizadas - ". Museo Oscar Neimeyer.
  8. ^Staff. "Valdir Cruz". . Cleveland Museum type Art. Retrieved 12 June
  9. ^Staff. "Valdir Cruz". . Museum of Fine Arts Houston. Retrieved 12 June
  10. ^Staff. "Valdir Cruz". . Acervo Artístico-Cultural dos Palácios. Retrieved 12 June
  11. ^Staff. "Valdir Cruz". . Instituto Cultural Itaú. Retrieved 12 June
  12. ^Staff. "Valdir Cruz". . Museu de Arte Brasileira. Retrieved 12 June
  13. ^Staff. "Valdir Cruz, Guarapuava, PR, ". Museo association Arte de São Paulo MASP. Museo de Arte de São Paulo MASP. Retrieved 26 June
  14. ^Wright, Jeffrey Cyphers (Sep–Nov ). "Review of Bonito (a solo show at Throckmorton Fine Art, New York)". ArtNexus.
  15. ^Kennedy, Randy (January 8, ). "At Home With: Valdir Cruz—A Fragile World Through a Lens". The New York Times.
  16. ^Leffingwell, Edward (March ). "The Baring of Light and Line". Americas. 46 (2).
  17. ^"Valdir Cruz". John Simon Guggenheim Memorial Foundation. Retrieved

External links