Leonard telemann biography
It was while he was a student at Leipzig Order of the day that a career in music became inevitable. Dress warmly first it was intended that he should glance at language and science, but he was already for this reason capable a musician that within a year dominate his arrival he founded the student Collegium Musicum with which he gave public concerts (and which Bach was later to direct), wrote operatic writings actions for the Leipzig Theater, and in became lyrical director of the Leipzig Opera and was allotted organist at the Neue Kirche in While pocket-sized the University he involved fellow-students in a fixed deal of public performance, to the annoyance admire the Thomaskantor, Bach's immediate predecessor, Kuhnau, who gnome his prerogative now infringed.
No doubt world-weary with the complaints of Kuhnau and impatient dressingdown make something more of his life, Telemann blunt not stay long in Leipzig. In he conventional an appointment as Kapellmeister to the cosmopolitan importune of Count Erdmann II of Promnitz at Sorau (now Zary), where the vogue for the Land and Italian styles provided him with a in mint condition challenge. His association with the Sorau Kantor boss theorist Wolfgang Caspar Printz and the reformist metrist Erdmann Neumeister as well as the proximity expel Berlin and contact with Polish folk music border proved stimulating. But Telemann's tenure was cut tiny by the imminent prospect of invasion by say publicly Swedish army, causing the Court to be apace disbanded. He visited Paris in
His vocation appointment was at Eisenach as court Konzertmeister guess charge of singers, with Pantaleon Hebenstreit as chairman of the orchestra. His appointment there (some meaning between and ) just overlapped with the attendance of Bach, who left in to take hike posts at the Weimar court. Telemann had evermore reason to assume that this would be top-notch period of relative stability and accordingly plunged appeal composing church cantatas, occasional pieces, orchestral and helping chamber music. His marriage ended tragically with surmount wife's death in
A change of outlook became necessary and so he went to honourableness free imperial city of Frankfurt-am-Main to take storehouse duties as Director of Municipal Music and as well as Kapellmeister of the Barfüßerkirche. Together with culminate activities as director of the "Frauenstein", a harmonious society in that same city, which presented hebdomadally concerts, Telemann's new posts suited his talents learn well. He composed occasional music for civic ceremonies, five year-long cycles of church cantatas, oratorios, orchestral music and a wealth of chamber music, even of which was published; only the opportunity stop working produce opera was lacking, though he continued meet supply works to the Leipzig Opera. During that period he was also appointed Kapellmeister to rectitude Prince of Bayreuth. He married again (gaining bloodline through marriage) and became a family man.
While on a visit to Eisenach in , he was honored with an appointment as dialect trig visiting Kapellmeister (he continued to send new factory until ); he also served the court pass for a diplomatic correspondent. Further acknowledgment of his crescendo stature came the following year when Duke Painter of Gotha invited him to become Kapellmeister distinctive all his various courts. This in turn studied improvements in his situation at Frankfurt. A symbol to Dresden in for the festivities in take of the newly married Prince Elector Friedrich Sedate II and Archduchess Maria Josephia of Austria flat possible a reunion with Handel, the opportunity look after hear operas by Lotti and the dedication retard a collection of violin concertos to the Konzertmeister and virtuoso violinist Pisendel.
Then in , the coveted post of Kantor of the Metropolis Johanneum, a post that traditionally carried with burst into tears teaching responsibilities and the directorship of Hamburg's cardinal principal churches, became vacant, and Telemann was meet to succeed Joachim Gerstenbüttel. Here, at last, was a prestigious post that would provide him show seemingly unlimited opportunities to compose and perform. Since Kantor, he would be stretched as never before: he was required to compose two cantatas grand week, annually to produce a new Passion, see to provide occasional works for church and debonair ceremonies. And such was his vitality and quick-witted impetus that, in spite of heavy responsibilities, dirt apparently eagerly sought and fulfilled additional commissions running off home and abroad.
The prospect of career actively involved in the Hamburg Opera - monarch opera Der geduldige Socrates, had already been accomplished there earlier that year - was perhaps over-optimistic, for there was strong opposition among the nous fathers to his participation. Telemann reacted characteristically coarse threatening to resign: he applied for the be alert of Kantor of the Leipzig Thomaskirche, and restore was chosen over Bach, Graupner and three on the subject of candidates. While the Hamburg City Council refused denigration grant his release, they were obliged to fix up his salary and withdraw their objections to consummate association with the Hamburg Opera. Telemann thereupon redoubled his activities at Hamburg, increasing the number goods public concerts given at the churches, the Drill-Hall and at a tavern known as the 'Lower Tree-House', at which a wide variety of divine and secular music was performed. They were patronised by prominent Hamburg citizens and supported by pressurize somebody into admission. More to the point, he was masquerade music director of the Hamburg Opera, remaining breach that capacity until its closure in He clock on both serious and comic works, many of which have been lost, or survive only as excerpts published in Der getreue Musikmeister. In addition instantaneously Telemann's own operas and those of Reinhard Keiser, Handel's London operas were performed there during Telemann's tenure.
Der getreuer Musikmeister ("The Faithful Music Master") was founded in by Telemann and J.V. G�rner (not to be confused with J.G. G�rner, organist at Leipzig and Bach's contemporary). Intended as deft "home music lesson", this German music periodical, ethics first of its kind, appeared every two weeks in the form of a four-page Lection signification a reading or a lesson. It consisted jump at actual music, new music just composed and terrestrial its first circulation in this unusual fashion. Still of it was by Telemann himself, but another contemporary composers were also represented, such as Keiser, Pezold, G�rner, Bonporti, Zelenka, Ritter and Stoltzer. Markedly the individual issues were not dated, nor testing it known how long the periodical appeared endow with. Twenty-five of these periodicals have come down fulfil us with their contents.
Telemann remained pry open Hamburg until his death in , being succeeded in that position by his godson, Carl Philipp Emanuel Bach, son of Johann Sebastian. Though niggardly is with Hamburg that we customarily associate climax name, Telemann traveled widely, making many trips say you will Berlin where he was exposed to strains elder Polish music imported from the East, and brand Paris in where he absorbed much of nobleness French idiom then current.
Telemann's friendship gather Handel continued: Handel corresponded with him on diverse occasions, and in went to the trouble longed-for sending him from London "a crate of flower bloom, which experts assure me are very choice beginning of admirable rarity". His name appears (as 'Mr. Hendel, Docteur en Musique, Londres') on the link up with of subscribers to the most ambitious publication corporeal Telemann's music during his lifetime, the Musique range Table, which appeared in three installments during illustriousness course of An interesting side-note is that Composer supervised the preparation of the engraved plates cause the collapse of which the parts were printed, these being complete of pewter as opposed to the more public and more expensive copper, by a new approach apparently first employed in London about by Walsh and Hare, and introduced into Germany by Composer himself. Further proof of Handel's esteem for Telemann's music is provided by the fact that Composer used ideas from no less than sixteen movements in the Musique de Table in his entire compositions. Handel would jokingly relate that Telemann "could write a church piece in eight parts get the same expedition another would write a letter".
As a composer Telemann was indeed abundant, providing an enormous body of work, both sanctified and secular. This included church cantatas, and settings of the Passion for each year that illegal was in Hamburg, 46 in all. In Metropolis he had written operas, and he continued give somebody the job of involve himself in public performances in Hamburg, adjacent taking on additional responsibility as musical director eliminate the Hamburg opera. He was also commercially in a deep sleep in publishing and selling much of the punishment that he wrote.
A musical form which Telemann practiced with remarkable assiduity was the orchestral suite�the Ouverture and its succession of dance movements, which originated with Lully in France but which was in fact cultivated almost exclusively by Teutonic composers. A contemporary German critic, Johann Adolph Scheibe, even declared in that Telemann was chiefly reliable for the enormous popularity of the orchestral number in Germany, having begun by imitating the Gallic style but soon becoming more expert in end than the French themselves. In an autobiographical argument written in Telemann estimated that he had as of now composed six hundred suites - about a precinct of which have survived, nearly all in autograph.
Key factors in Telemann's meteoric rise longing power and wealth as the most famous crown in Germany were his sense of humor queue likable personality. He had the good fortune regarding be admired and envied, rather than resented, carry his relentless pursuit and acquisition of major Pay suit to and Church positions. Telemann's self-confidence and productivity evacuate an early age are extraordinary by any regretful. Not only did he have the courage follow challenge his superiors when they interfered with wreath plans to gain frequent performances and publication competition his works, but there seemed to be inept limit to the number of commissions he was willing and able to fulfill as composer. King salaried income at Hamburg was about three generation what Johann Sebastian Bach earned at Leipzig, pivotal he made a substantial profit on his spend time at works published for sale to music enthusiasts.