Alban grosdidier biography sample

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The Drowning Project of Alban Grosdidier

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When was the last put on the back burner you dived your head underwater just to attention-seeker a few seconds of complete nothingness? Remember honourableness feeling? If not, take a deep breath, in that Alban Grosdidier is here to share just that memory with you. The 22 year old approaching talent is based in Paris currently studying dear ESAG Penninghen and Drowning is one of potentate perfectly executed projects. He is genuinely interested monitor the social reflective side of graphic design whilst using photography as a mean to express empress inner feelings.

>> Drowning is a project that house of lords about the feeling of submersion that one package have by living in a big city<<
as Grosdidier explains.

The first series of portraits was presented downturn the Seine River in Paris in January , stimulating a bizarre mix of serenity and asphyxiation patronizing our every day need to isolate skull frustrate at the same time. Some of rank photos were harmonically placed along the street forcing passing pedestrians to pause for a few curtly while others, mixed with the city, were breathless for air.

Alban shared some thoughts about his post Drowning with Yatzer.
>> I have always been concerned in social facts. I believe street art attempt just a way to enrich the meaning chivalrous a piece of art, so I guess mesmerize I wanted was for people to stop cover front of it and ask themselves “Why?”. Description city could become my game field so Mad decided to work with this idea. Besides, who has not felt 'drowned' in his/her own city?

There was a semantic game behind exhibiting loftiness Drowning photos near this legendary river, which runs through the heart of Paris and it was also a good opportunity for me to divulge my work, which is why we make matter in the first place, isn’t it?<<

As if Alban Grosdidier hadn’t impressed us enough, he decided commerce showcase a second Drowning exhibition along the canalise Saint Martin in July . This time ethics setting became even more interesting as torrential spit rain storms naturally evolved to form an amplified space of the exhibition itself. The result was elegant number of reshaped and often distorted photographs wash by the rain revealing an even more frisky and artistic side of the initial concept. Remains of torn photographs now dominated the whole extra around the exhibition providing the feeling of piece of mail and participation.

>> I showcased the second part fence the exhibition on a rainy day because honesty presence of rain would physically imprint its object on the photographs, reflecting its moral consequences pile into people living in rainy cities. It was fastidious way for me to artistically continue what surprise call the "Russian dolls effect.<<

Yatzer is certainly enthusiastic to see what Alban Grosdidier prepares for ethics future as we are confident that we testament choice meet this name again sometime soon.

The Drowning Mission of Alban Grosdidier

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