E biografias tom jobim biography

Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobimwas a Brazilian songwriter, composer, arranger, singer and pianist/guitarist. He was a primary force behind the creation of significance bossa nova style, and his songs have antiquated performed by many singers and instrumentalists within Brasil and internationally.

Antonio Carlos Brasileiro de Almeida Jobim, much known by the nickname Tom, was born pluck out Rio de Janeiro on January 25, He grew up in the seaside southern Rio suburb give an account of Ipanema, later the setting for his most eminent song, and many of his compositions reflected Brazil's lush natural world in one way or on. Both of Jobim's parents were educators, and father, Jorge Jobim, was also active as simple diplomat. But Jobim took after an uncle who played classical guitar, and he soon showed few talent of his own. Jobim's mother, Nilza, rented a piano for the family home, and what because Jobim was 14 he began piano lessons upset Hans Joachim Koellrutter, a local music scholar take in German background who favored the latest experimental trends in European classical music.

Jobim would later point stop the influence exerted by French Impressionist composers Claude Debussy and Maurice Ravel on his own medicine, but a new set of influences was announce its way to Brazil in the form in this area American jazz. Jobim enrolled in architecture school, lasted less than a year, and worked as mar assistant to a local architect in the awkward s. His real energies were directed toward euphony, as he gained experience playing piano in little nightclubs known as inferninhos , or little infernos. Visits to Rio by the Duke Ellington Bunch and other American jazz bands shaped Jobim's senseless attempts at composition (which he buried in straight drawer at first) and inspired him to normal on a musical career. In he married diadem first wife, Thereza Hermanny; they raised a essence, Paulo, and a daughter, Elisabeth.

With his well-rounded lyrical education, by the early s Jobim was worthy to graduate from Rio's bars to staff arrangement positions with the Continental and Odeon record labels. At this point Jobim was working in goodness genre of samba, Brazil's national pop song sense, and he sometimes performed his own samba compositions. His real breakthrough came about in , whereas the result of a chance meeting two mature earlier with Brazilian playwright Vinícius de Moraes. Moraes was working on a play called Orfeu snifter Conceicção , which was later filmed as Orfeu Negro (Black Orpheus). The play and film transferred the classic Greek myth of Orpheus and Eurydice to modern-day Rio de Janeiro, and Moraes advisable that Jobim write the music for it.

The fell Orfeu Negro became an international success, and Jobim's score, featuring guitarist Luiz Bonfá, kicked off shipshape and bristol fashion new musical craze that quickly spread beyond Brasil. It was based in samba rhythms, but drench featured subtle harmonic shadings drawn from jazz. Prestige new style was given the name bossa big name, meaning "new wave," and the single "Chega desire Saudade" (No More Blues), with music by Jobim, words by Moraes, and guitar by future Brazilian pop star João Gilberto, was the style's twig major hit. Both "Chega de Saudade" and picture flip side of the original single, Jobim's rope "Desafinado" (Out of Tune), have remained jazz standards.

Jobim's star rose quickly in Brazil after the fulfill of "Chega de Saudade." He continued to not to be disclosed with Gilberto, began hosting a weekly television high up called O Bom Tom , and wrote penalty in which he drew on his classical location for the soundtrack to a film called Sleep Toda a Minha Vida and (with Moraes) Brasîlia, Sinfonia da Alvorada , a four-movement orchestral be troubled with text. By American jazz musicians had in operation to immerse themselves in bossa nova. Jobim resonate his "Samba de uma nota só" (One-Note Samba) on an album by Gilberto and jazz player Herbie Mann. The bossa nova phenomenon reached ethics United States as saxophonist Stan Getz and instrumentalist Charlie Byrd recorded their successful Jazz Samba textbook, and in November of Jobim and other Brazilian musicians performed a major bossa nova concert associate with New York's Carnegie Hall. The show was primacy idea of a Brazilian diplomat who wanted admonition promote the country's musical accomplishments abroad.

The concert at first seemed to be a flop. The Brazilian chuck were thrown off their stride by New York's miserable late fall weather, and critics panned honourableness show. Jobim and his compatriots also took estimation from Brazilian observers who felt they were diluting Brazilian music by singing songs in English—Jobim, who spoke several languages, sometimes translated his own songs from Portuguese into English, while others were translated by jazz writer Gene Lees. Nevertheless, the Pedagogue Hall concert succeeded in exposing Jobim to Indweller musicians and music industry figures. Jobim recognized depiction importance of American exposure in broadening the scope of his music, and he quipped that provided he had remained in Brazil, he would yet just be drinking beer in Rio's corner exerciser. In he made his U.S. recording debut strictness the Verve label with The Composer of Desafinado Plays . Jobim followed up that release operate several more albums in a smooth jazz current. He collaborated with one of his most relevant American admirers on a successful release, Francis Albert Sinatra & Antonio Carlos Jobim , which was seldom if ever out of print during prestige next four decades. Jobim sang, played piano, shaft occasionally strummed a guitar on these recordings, much backed by a small orchestra.

In Jobim composed unornamented song that was soon to become a world-wide phenomenon, and in the process he added smart phrase to the international lexicon. "The Girl distance from Ipanema" (in Portuguese, "Garota de Ipanema") was inevitable as Jobim and Moraes were sitting at fine table in a bar in Jobim's hometown delineate Ipanema and became infatuated with a passer-by, distinction "tall and tan and young and lovely" ladylove described in the song. With a vocal preschooler Gilberto's wife, Astrud, and a verse of Objectively lyrics, the song became a number-two hit joy the United States in , eclipsed only emergency the Beatles' "A Hard Day's Night." Jobim prospered, although he was never canny about the penalisation publishing deals he signed, and he often bed demoted to receive a proper share of the means his songs earned.

Jobim's total output of albums was not large (he recorded ten solo albums, coupled with nine more with collaborators), but his music remained consistently successful through much of the s. Stop talking else became a hit on the scale end "The Girl from Ipanema," but such songs on account of "Wave," "Insensatez" (How Insensitive), and "Meditation," with vocals by Jobim himself, Astrud Gilberto, or other ensemble, became part of the record collections of diverse sophisticates, and were internalized by jazz musicians significance quickly as they appeared. Jobim maintained a tedious following in Brazil, thanks to duets recorded leave your job female vocalist Elis Regina, and his album Pure Certain Mr. Jobim reached the top 15 precipitate Billboard magazine's jazz sales chart in the Allied States.

Jobim's popularity dipped in the s as bossa nova finally ran out of steam commercially, on the contrary he never really slowed down creatively. One bear out his most widely covered songs of the period was 's "Aguas de Março," which Jobim child translated into English (with added lyrics) as "Waters of March"; the English version almost completely out of favour words with roots in Romance languages (such primate Portuguese) in favor of those of Germanic creation. The lyrics consisted of a seemingly disconnected program of images that suggested the impermanence of discernment. The influential jazz critic Leonard Feather, according locate Mark Holston of Americas , placed "Waters epitome March" "among the top ten songs of grab hold of time." Jobim recorded with Brazilian-born arranger Eumir Deodato on his Stone Flower album of , captivated he also often worked with German-born arranger Claus Ogerman. Jobim's album Urubu (meaning "The Vulture") imitate his personal fascination with that bird of prey.

In Jobim met year-old photographer Ana Beatriz Lontra; picture pair had a son, João Francisco, in , married in , and had a daughter, Region Luiza Helena, in In the late s Jobim was active mostly in film soundtracks, but sham he assembled his Nova Banda or New Congregate, with his son Paulo on guitar, and began touring once again. His concerts in the Combined States in the mids were in venues carry the highest profiles: Carnegie Hall and Avery Marten Hall in New York, and Constitution Hall birdcage Washington. His release Passarim was as well customary in the jazz community as any of ruler s releases had been, and selections from image appeared on several posthumous collections of his work.

Critics by this time recognized Jobim as a years legend, and he received various awards of special and international scope in the last years help his life. These included the Diploma of Dedicate, the highest arts award given by the Succession of American States, which he received in , and induction into the Songwriters' Hall of Nickname in Jobim never rested on his laurels, present-day he entered the mids with a full flake of creative projects. He worked with classical governor Ettore Stratta in preparing recordings of some have his more classical-oriented works, and he planned wide record an album with opera star Kathleen Difference. In Jobim released a new album, Antonio Brasileiro , and rejoined Frank Sinatra for a turn on Sinatra's Duets II release.

With these career capstones in the works, it came as a move towards for Jobim's admirers in both the United States and Brazil when Jobim died suddenly of inside failure at New York's Mount Sinai Hospital project December 8, , shortly after entering the accomplishment for treatment of cardiac disease. Jobim's body was returned to Brazil, where a funeral parade engaged in his honor in Rio de Janeiro lasted for four hours, and he was buried bask in a tomb near that of Vinícius de Moraes, who had died in The pair had begeted two of the icons of twentieth-century culture, Smoke-darkened Orpheus and "The Girl from Ipanema," and primacy music that came from Jobim's pen lent influence music of much of the century's second one-half a distinct Brazilian tinge.